In this week's episode of Off Panel, writer/artist Jonathan Luna joins the show for a special podcast in Anchorage, Alaska about his new series 20XX. Luna discusses the influence of growing up outside the US, how he started making his own comics, the development of his style, why he went black and white on 20XX, the cost of art, the origins of 20XX, why Alaska for its setting, how the contrasts in his stories come together, the implication of the title, the technology of the future, why he decided to create a short story made entirely by him, and more.
In this week's episode of Off Panel, writer Mark Waid joins the podcast for a career-spanning chat examining his writing. Waid discusses how his early jobs editing comics and writing about them affected his storytelling approach, how he became a writer, his love of writing himself into a corner, where his love of problem solving comes from, how The History of the Marvel Universe fits in there, Javier Rodriguez's greatness, why he loved writing Impulse so much, the intersection of writing young characters + knowing comic history, what continuity means to him, comics in mourning, differentiating H1 from other superhero universe, his love of not being in a box, why Ignited appealed to him as a storyteller, what the most interesting thing happening in comics today is to him, and more.
In this week's episode of Off Panel, cartoonist Daniel Warren Johnson joins the podcast to talk about his art and Wonder Woman: Dead Earth. Johnson discusses how his career has changed since Extremity, the elevating nature of telling your own stories, how life drives adaptation, Wonder Woman: Dead Earth as a palate cleanser, why Dead Earth was the right next step, finding a new angle for the character, introducing fallibility, the idea of hope, developing the look of the book, working off the Black Label setup, the pressure of commissions, Old Man Skywalker, and more.
In this week's episode of Off Panel, writer Sam Humphries joins the show to talk about Dial H for Hero. Humphries discusses how the different parts of his career impact him as a storyteller, touring his personal history of comics in Dial H, the style shifting of the book, its origins, Joe Quinones' fit on the book, the importance of legacy, experimentation in storytelling, the title's unique 8th issue, expanding from six issues to 12, the guest artists of issue #7, the addictive nature of superpowers, and more.
In this week's episode of Off Panel, writer Jonathan Hickman joins the show to talk about his rather notable relaunch of the X-Men. Hickman discusses how he's doing post House of X and Powers of X, uniting the X-Men fans, the cohesion of the line, the state of the X-Men, how this whole project came together, the collaborative nature of these books, how being an X-Men fan changed the experience of writing them, the assembling of the creative team, being additive, not destructive, the importance of value, what his job really is on the X-Men line, evolving the X-Men, why New Mutants as his other title, interconnectivity between his own stories, whether Krakoa has a baseball field, and more.
In another episode of Off Panel recorded at New York Comic Con, artist Rosemary Valero-O'Connell joins the show to talk about the graphic novel she did with Mariko Tamaki, Laura Dean Keeps Breaking Up With Me. Valero-O'Connell discusses her notably good few weeks, balancing drawing Laura Dean with going to college, the important of working on this book for her, bringing characters to life, her love of details, drawing, coloring and lettering the book herself, her paneling and layout choices, working with Tamaki, the greatness of First Second, making the comics she wants to make, and more.
In a special episode of Off Panel recorded at New York Comic Con 2019, writer Brian K. Vaughan joins the podcast to talk about his approach to comics and more. Vaughan discusses writing for non-comic readers, how creator-owned helps with that, Fiona Staples' glory, capitalizing on the freedoms his success provides him, how he changes his writing depending on his collaborator, coming full circle with Paper Girls, the value of taking a break, the power of community, and more.
In this week’s episode of Off Panel, cartoonist Dave Baker joins the show to talk about his Kickstarter for his comic with Alexis Ziritt, Night Hunters, and what drives him as a creator. Baker discusses the NYCC experience, his different interests as a creator, existing in different sides of comics at once, his love of Todd McFarlane, charting his own path, the story behind Night Hunters, working with Ziritt, partnering with Floating World, the stresses of Kickstarter, con life, the value of having a con crew, and more.
In this week’s episode of Off Panel, cartoonist Matt Kindt joins the podcast to talk about his career and the upcoming Folklords at BOOM! Studios. Kindt discusses his early comic beginnings, art school, his desire to learn new things, the origins of Folklords, Matt Smith's greatness, the idea of quests, fighting boredom, HEK Studio, his mech story in the upcoming HEK Treasury, his love of Ninjak, and more.
In this week’s episode of Off Panel, comics critic and letterer Hassan Otsmane-Elhaou returns to the show to chat about his Eisner winning comics magazine, PanelxPanel. Otsmane-Elhaou discusses the Eisner win, how he manages the magazine, where its feature comics come from, comics marketing, the PxP redesign, the advantages of doing a paid PDF instead of a website, the upcoming PxP pocket books, the appeal of lettering, what his approach is, lettering tips, the start to the Dallas Cowboys season (note: this was recorded right after the Patriots signed Antonio Brown, so knowledge of his situation was limited), and more.
In this week’s episode of Off Panel, retailer Brian Hibbs returns to the podcast to talk about how the year is going for his two San Francisco comic shops, Comix Experience and Comix Experience Outpost. Hibbs discusses the impact of House of X and Powers of X, their weekly nature, the limit to the ceiling of those titles, what could have been done to reach that ceiling, Once & Future and print run games, whether DC and Image reducing their lines has helped, exploding graphic novel sales, his graphic novel clubs, the growth of speculation, transitioning HoX/PoX readers into Dawn of X readers, and more.
In this week’s episode of Off Panel, my pal Brandon Burpee joins me for a little something different, as we did a House of X and Powers of X focused episode themed after ESPN's Pardon the Interruption. What does that mean? Each topic is timed, as we discuss our feelings on the titles overall, our opinion on the Moira retcon, what we think Moira's sixth life was, the data pages, the MVP of the titles so far, our favorite changes to the larger X-Men story, Chimera mutants, Destiny's position, how many of the X-Men titles that follow we'll be reading, and a whole lot more. Needless to say, spoilers will be discussed.
In this week’s episode of Off Panel, the writer and artist of Pumpkinheads, Rainbow Rowell and Faith Erin Hicks, join the podcast to chat about their new graphic novel. The pair discusses what they liked about each other's work before working together, why these characters spoke to them, Deja's greatness, whether this was the first comic Rainbow wrote, their visit to a pumpkin patch in Nebraska, chapter breaks, the map in the book and its importance, building the cast of the book, what impressed them about each other once they had worked together, and more.
In this week’s episode of Off Panel, artist Cliff Chiang returns to the podcast to chat about ending Paper Girls. Chiang discusses how much they had sketched out from the jump, the callbacks in the finale, telling a long running story in 2019, building a community, the look of the covers, Jared K. Fletcher's impact, Matt Wilson's secret power, those two being co-creators rather than hired guns, the difference of creator-owned, staying on schedule, what he learned during the series, what's next for him, and more. Oh, and in case you are concerned, we do not get into spoiler territory for the comic in this episode, keeping it to generalities and emotions related to the issue within.
In this week’s episode of Off Panel, cartoonist Phillip Sevy joins the show to talk about his new series Triage and his unique path to comics. Sevy discusses his foundational comic pieces, what made him want to draw comics, how his comics nostalgia fed into Triage, what he learned as a SCAD student, the Top Cow Talent Hunt, the impact Tomb Raider had on him, the story behind Triage, the value of representation, the theme of identity, the trading cards he made for Triage, and more, before we close with a brief chat about the glory of House of X #1 and Powers of X #1.
In this week’s episode of Off Panel, artist Steve Lieber joins to chat about his new series, Superman's Pal Jimmy Olsen and his position as a trusted mentor in the comic book world. Lieber discusses the attention paid to Jimmy Olsen, the title's development, DC's reaction to the book's oddness, how he and writer Matt Fraction collaborate on the title, the importance of pie, his Jimmy Olsen memories, becoming a "funny" artist, the key to making comedy work, his love of helping others, how much the industry has changed, specialization in the comic industry, comic marketing, his advice to newer creators, and more.
In this week’s episode of Off Panel, writer Christopher Sebela joins to talk about his writing on titles like Test and Crowded. Sebela discusses his recent efforts to take weekends for himself, getting out of the house on dog walks, his project notebooks, how they help his process, putting himself into his work, working at a test marketing firm, what his Test pitch is, its origins, what's next for Crowded, the book's cast, the success of creator-owned books, merch in comics, how much he's working on at on time, and more.
In this week’s episode of Off Panel, retailer Jacob Sareli joins to talk about his shop Comikaza, the first comic shop ever in Israel. Sareli discusses how he got into comics, the Israel comics scene, how he ended up taking over Comikaza, how the shop has evolved, what's working for his shop, the impact of manga and kids comics, how the past couple years have been, what he'd like to see more of, what doesn't work in his shop, Free Comic Book Day's impact, his shop's demographics, and more.
In this week’s episode of Off Panel, Andrea Demonakos joins the podcast to talk about the world of merchandising and White Squirrel, her company that's designed to help artists sell their products online. Demonakos discusses Toronto's part in her comic background, her varying roles in the comics and how they helped her better understand that world, running Vancouver Comic Arts Festival, the origins of White Squirrel, the evolution of cons, what merchandising does for creators, managing Kickstarters, where White Squirrel is headed, the future of merchandising, and more.
In this week's episode of Off Panel, writer Robbie Thompson joins the podcast to talk about his Marvel mini-series Meet the Skrulls. Thompson discusses shipping, fandom, why he wanted to write comics, the greatness of Javier Rodriguez, the origins of his current Marvel mini-series Meet the Skrulls, this being the most him Marvel project he's had, the themes of family and identity in the book, Niko Henrichon's art, the nuance of Skrulls, individuating shapeshifters, and more, before we close with five questions about Thompson, the person.
In this week's episode of Off Panel, writer Jody Leheup joins the podcast to talk about his Image series, The Weatherman. Leheup discusses the stories that made him, his time at Marvel editorial, what he learned during that time, spinning plates, the origins of The Weatherman, Nathan Fox's impact, Tom Muller's design, the complexity of series lead Nathan Bright, the troubling death from the first issue, our relationship with animals in fiction, the season model, what's coming next, marketing the book, and more.
In this week's episode of Off Panel, artist Tadd Galusha joins the show for a rare live episode about art and his upcoming graphic novel, Cretaceous. Galusha discusses how he got into comics, the magic of Capwolf, The Kubert School experience, interning at Heliscope, how he actually started working in comics, the artist grind, comics vs. other art fields, figuring out the work, the origins of Cretaceous, finding a home for the book, its silent nature, his research process, building an audience, creating comics in Alaska, and more.
In this week's episode of Off Panel, writer Mike Carey joins the show to talk about his changing comics workload and his latest series, The Highest House. Carey discusses what he's been doing in recent years, his X-Men run, how The Unwritten came to be, collaborating with artist Peter Gross, The Highest House's development, the politics and mythology of its world, the unique challenges its oversized format presents, story density, the complications of Peter Gross's work, balancing a giant cast, finding a market for the book, Yuko Shimizu's covers, where the book stands now, and more.
In this week's episode of Off Panel, comics retailer Katie Proctor comes on to talk about the experience of running her comic shop, Books with Pictures. Proctor discusses why she wanted to open a comic shop, the influence of other stores, her store's layout, creating an inviting space, inclusivity, her unique product offerings, what sells for her, how 2018 has been for her shop, figuring out ordering, what's working and what isn't, the impact of Fresh Start at Marvel, the loss of Saga, what she's looking forward to in 2018, what someone looking to open a shop should know, and more.
In this week's episode of Off Panel, cartoonist Jeff Lemire joins the show to talk about his work on titles like Black Hammer and Gideon Falls. Lemire discusses his organizational abilities, what getting ahead with your writing offers you, a day in his life, studio space, his connection to rural locations, Black Hammer's connection to his love of comics, the divide between independent and superhero comics, how Black Hammer evolved, his collaborators, expanding its universe, the appeal of horror, Gideon Falls's development, working with Andrea Sorrentino, the JH Williams III effect, creating tension, writing for others versus himself, him stepping back from for-hire work, and more.