Cartoonist Beetle Moses, aka Harris Fishman, joins the podcast for my annual Comic of the Year chat, as we talk about his social media-based comic strip Beetle Moses. Fishman discusses the year for Beetle Moses (the comic), figuring things out, his own comics journey, putting in the reps, his art style, the depth of the strip, Beetle Moses' origins, how people reacted to making the move into comics, his big year, the atemporal nature of comic strips, his most well-liked comics, moving into longform, turning Beetle Moses into a business, how his 2026 is looking, and more.

My pal Brandon Burpee returns to the podcast for our annual look at the year in comics before we count down our 20 favorite comics of the year. Burpee discusses the year in comics, the state of the Big Two, where the X-Men are, older comics that might have previous lists, anticipated comics from 2026, ancient Star Wars takes, and more, before we share our honorable mentions from the year in comics and then count down our 20 favorites comics and graphic novels from 2025.

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For those that are looking for a list of our 20 favorite comics, here they are.

David Harper’s 20 Favorite Comics of 2025
1. Beetle Moses
2. Hirayasumi
3. Sleep
4. Land Vol. 1
5. Do Admit! The Mitford Sisters and Me
6. Cannon
7. The Fables of Erlking Wood
8. Good Devils: Don’t Play Fair with Evil
9. Ionheart
10. Lucas Wars
11. Out of Alcatraz
12. A Garden of Spheres
13. Tongues Vol. 1
14. Assorted Crisis Events
15. Flip
16. The Knives
17. Raised by Ghosts
18. Tokyo Alien Bros.
19. Absolute Wonder Woman
20. Absolute Batman

Brandon Burpee’s 20 Favorite Comics of 2025
1. One World Under Doom
2. Green Lantern
3. Batman and Robin: Year One
4. Deadpool/Wolverine
5. Superman
6. X-Men
7. JSA
8. Absolute Superman
9. Justice League Unlimited
10. Exquisite Corpses
11. Teenage Mutant Ninja Turtles 12. Geiger
13. Storm
14. Absolute Wonder Woman
15. Redcoat
16. Captain America
17. Invincible Universe: Battle Beast
18. Green Lantern Corps
19. Escape
20. History of the DC Universe

In a special year end episode of Off Panel, we look at the defining themes of 2025 in comics with the help of retailer Steve Anderson from Third Eye Comics, The Beat’s Heidi MacDonald, and writer Matthew Rosenberg. 

Up first is Anderson (1:37), whose theme is the impact of DC's Absolute line, as we discuss the Image Revolution of it all, unlocking the cool, the area of effect it's had on other comics, good times he sees on the horizon, how new readers are behaving, why Absolute has popped, how creators and publishers can capitalize on this, and more. 

After that is MacDonald (32:22), whose theme was the lack of new characters in direct market comics, as we discuss why that's a problem, the most successful new(ish) characters, recycling existing ideas, why it's a 2025 theme, attempts to make new characters happen, what's lost without them, marketing struggles, what needs to happen, and more. 

And to close is Rosenberg (1:06:59), whose theme is how comics are running behind the rest of pop culture, as we discuss the inferiority complex in comics, the cost that comes with this lag, the importance of cool, how this can change, how the market factors into this, and more.

Artist and writer Terry Dodson joins the show to talk Ultimate Endgame, AdventureMan, and where things are headed for him. Dodson discusses his work schedule, cat living, picking projects, taking on Ultimate Endgame, working with Deniz Camp, figuring out projects, designing in the Ultimate Universe, the freedom of the book, event comics versus regular ones, artist exclusive covers, the other side of artist work, AdventureMan's fit, collaborating with Matt Fraction, the impact of influences, the collections of AdventureMan, getting into writing, its impact on his art, taking on more responsibility, and more.

Christina Merkler, the co-owner of Lunar Distribution, Discount Comic Book Service (or DCBS), and InStockTrades, joins the show to talk about a strange year for comic book distribution and a good year for the retail side. Merkler discusses Thanksgiving and related takes, the year for her, Diamond Comic Distributors' bankruptcy, compressing timelines, figuring things out, big changes this year, balancing sides of her businesses, the year for DCBS and InStockTrades, what's driving success, how collections are doing, the non-licensed comics space, connecting readers with books, blind bags, how she's feeling going into 2026, and more.

Writer and cartoonist Gene Luen Yang joins the podcast to talk about his comics life and his upcoming run on Teenage Mutant Ninja Turtles. Yang discusses his daily life, his upcoming graphic novel, Overrated, embracing change, advocating for comics, its impact on his own work, having different inputs, his project that impacted him the most, collaborations and collaborators, Superman Smashes the Klan, figuring out which for-hire projects to take, how Teenage Mutant Ninja Turtles came together, impact of Eastman & Laird, the TMNT phenomenon, building his run, keeping those characters fresh, what keeps him excited for comics, tips for creators, and more.

Writer Grant Morrison joins the podcast to talk about this week's DC/Marvel: Batman/Deadpool and their views on life and comics. Morrison discusses the rekindled flame of writing comics, how they approach writing, the importance of new experiences, making yourself a laboratory, pushing the medium thinking visually, learning from collaborators, doing what feels right, why Batman/Deadpool was the move, how it came together, preferred flavors of themself, Dan Mora's greatness, the freedom of that project, the power of constraints, their approach to continuity, the joy of Batman/Deadpool, having a late career renaissance, deciding what's next, changing as the comic landscape does, the future of comics, and more.

Writer Kieron Gillen joins the podcast to talk about his current Image comics The Power Fantasy and Die: Loaded and everything that's going into them. Gillen discusses FOC vs. release, Die's longevity as an idea, staying in love with comics, the emotional side of the commercial part of the job, how he thinks of his comics, the direction of Die: Loaded, why Die returned, the approach to its story, Stephanie Hans' impact, comic RPGs, how The Power Fantasy has compared to expectations, where it is, activating your audience, promoting the work, surprises in the series, and more.

Cartoonist Erica Henderson joins the podcast to talk about her past few years and her work on Harley and Ivy: Life and Crimes at DC. Henderson discusses her whim based processes, writing Erica vs. drawing Erica, what she can do while working, recent learnings, the way she thinks of pages, things she needed to do in Harley and Ivy, how she approaches projects, single issues vs. graphic novels, bringing Harley and Ivy to life, their fit together, her background with them, the looks of these characters, research, building around moments, the project's origins, preferred genres, fighting boredom, how variants work, and more.

Recorded live at New York Comic Con, artists Hayden Sherman, Rachael Stott, and Russell Dauterman and cartoonist Trung Le Nguyen joined the podcast to talk about why they love comics, with each happening in individual segments. Up first, Sherman (1:22) discusses what fuels their love, controlling the read, what unlocked comics, artist's artists, where influences come from, how making comics impacts reading them, and more. Then Stott (17:25) joins to talk about early loves in comics, finding the unexpected, the impact of the individual, her relationship with the medium, smooth comics, and more. Dauterman (34:35) follows to discuss his love of comics, the appeal of the new, what's changed for him as a reader, looking to the past, what keeps him excited about comics, and more. Lastly, Nguyen (51:29) discusses the universality of images, accessibility, comics DNA, how making comics changed things, the process of comics, and more.

DC Executive Editor Chris Conroy, who works on the Absolute, Black Label, and Vertigo lines at the publisher, joins the podcast to talk about the newly returned Vertigo Comics line. Conroy discusses his Vertigo background, how it changed his reading habits, what led to Vertigo's return, adding clarity to how things work, the evergreen side of DC, the team behind Vertigo, its strategy to creative teams, how they built the line, its aesthetic, balancing the future and the past, the gap between announcements, the line's size, what he wants the line to mean, and more.

Artist Doc Shaner joins the podcast to talk about his life and career in comics. Shaner discusses working from home, his schedule, the impact of comic strips, wanting to be a cartoonist, Buddy Cops, showing a different side of yourself, getting into comics themselves, his music brain, drawing for yourself, developing your style, Comic Twart, which project he learned the most from, working with friends, New Champion of Shazam, the Strange Adventures experience, being the bright and shiny guy, how he works, video games, being off the stands, holding onto joy, and more.

Podcasters Badr Milligan (The Short Box Podcast) and Chris Hacker (The Oblivion Bar podcast) join the show to talk about the comic podcasting world and our upcoming panel at NYCC before we fantasy draft seven hyperspecific things we love about comics. Milligan and Hacker discuss how podcasting has ruined our brains, podcast living, our upcoming panel at NYCC, and more, before we fantasy draft hyperspecific things we love about comics, including self-adhesive bags and boards, a special Marvel relationship, superhero comics that approach the line of stupid, seeing art lines in writing, Marvel Treasury Editions, Wednesday Comics' format, and more, before a pair of guest judges come on to help declare a winner.

David Brothers and Nick Dragotta join the show to talk about their collaboration on the upcoming Good Devils: Don't Play Fair with Evil. Brothers and Dragotta discuss the FOC experience, promoting comics, how they met, the Creators for Creators grant, how David started writing comics, why they wanted to work together, helping others, the influences of Good Devils, how they work together, how opportunities shaped the story, why they wanted to bring these stories to print, Ghost Cage, why Absolute Batman works, what gets them excited about comics, and more.

Cartoonist John Allison joins the show to talk about where he's at right now in his comics career. Allison discusses finding things for himself, managing freelance living, how he's feeling about comics and the industry, where he fits, being an influencer, going the graphic novel route, how he figures out which projects to take on, writing vs. writing and drawing, how his reads impact his work, Hirayasumi, the types of projects he prefers, Kickstarter, what's next for him, the power of threes, what brings him joy in comics, a TV recommendation, Formula 1 takes, and more.

Cartoonist Ngozi Ukazu joins the show to talk about her upcoming graphic novels, Flip from First Second and Orion at DC Comics. Ukazu discusses book tour living, finding time for yourself, figuring out next steps, growing as a cartoonist, managing your workload, writing for others, the importance of having creative work outside comics, Flip's origins, autobiographical challenges, the body swap at the core of it, different types of creating, working with DC, becoming a Jack Kirby acolyte, why Orion was the right follow up, young adult graphic novels, knowing who you are, WNBA takes, and more.

Writer Brian K. Vaughan joins the show to talk about his work on comics like Saga and the upcoming Spectators, both of which are at Image Comics. Vaughan discusses the state of the world's impact on his writing, navigating his own emotions, how lasting relationships change collaborations, how much of his world is comics, Spectators' evolving covers, the approach to Spectators, writing a graphic novel, the book's origins, Niko Henrichon's art, how they figured things out, his predictive powers, risky approaches, the Exploding Giraffe community, where Saga is, the evolution of Fiona Staples, finding new readers, when he knew writing would work as a job, and more.

Comics critic Oliver Sava joins the show for the eighth annual Superhero State of the Union, as we dive deep into worlds of DC, Marvel, and beyond. Sava and I discuss our overall takes on superhero comics, corporate synergy, what's leading to DC's success, editorial vision, art as proof of concept, the Absolute line, hero families, Big Two digest editions, the DC/Marvel crossovers, where Marvel is, the lack of energy in the line, the current Fantastic Four book, saying nice things about Marvel, how we would fix Marvel, superhero comics outside the Big Two, and more.

Writer Ed Brubaker joins the show to talk about Criminal the show and the comic, particularly the latter and its new graphic novel release The Knives. Brubaker discusses showrunning the Criminal show, getting back to his roots, surprises from the experience, having two versions of Criminal in his head, adapting his own work, how present he is in The Knives, why they returned to Criminal, the different narratives in the book, the nature of its characters, the cast's journeys, the connection his comics have to his life, working with Sean Phillips, how making comics feels, how much the comic space has evolved, a new Criminal single issue, emphasizing the back catalog, finding new readers, and more.

Cartoonist Jesse Lonergan joins the show to talk about his current mix of projects and his just released graphic novel, DROME. Lonergan discusses managing workflow, the roots of DROME, pushing your approach, the book's title, its archetypal nature and cast, who he is versus what he does, his fit in comics, what he cares about the most, simple machines, outside influences, working with writers, figuring out the Mignolaverse, the impact of reviews, pushing in different directions, and more.

Artist Nicole Goux joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Goux discusses the other parts of the job, how far ahead she's working, the importance of mixing it up, drawing digitally, her relationship with drawing, when comics entered the picture, figuring out what she wanted to do, convention life, how different projects and publishers feel, opportunity cost, age bands, the origins of This Place Kills Me, working with Mariko Tamaki, how they worked, her preferred method of working, learning from projects, character design, creating for herself, what keeps her excited about comics, and more.

Writer Mariko Tamaki joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Tamaki discusses what she works to, the value of editors, her own editing at Surely Books, learning from artistic partners, the wide world of comics, getting into comics, the biggest things she's learned, different approaches for different formats, collaborative processes, giving artists space, attribution, the origins of This Place Kills Me, the collaboration behind it, the book's lead, outsiders as leads, the music of the book, characters that surprised, Ally Sheedy's impact, finding the right mix, and more.

Writer/artist Kyle Starks joins the show to talk about where he's at these days and his upcoming slate of projects. Starks discusses the merits of San Diego Comic Con, his approach to cons, his past few years, comics marketing, back catalog releases, how the moment feels for original comics, Where Monsters Lie's next phase, not letting stories go, Kickstarters, diversifying how you're viewed, Devil on my Shoulder's intensity, what inspired the story, his upcoming Image Comics series WrestleHeist, drawing his own comics, his quiet year, and more, before we close with some serious business NBA talk at the end.

Writer Robert Kirkman joins the show to talk about his wild ways in the direct market and work on comics like the upcoming Skinbreaker and Transformers. Kirkman discusses his feelings about San Diego Comic Con, a typical day for him, the Skybound side of things, his unconventional approach to the direct market, the impact of experimentation, paying attention to the market, creating vs. connecting, why the Energon Universe worked, building excitement, learnings from the Invincible show, the magic of comics, David Finch's work on Skinbreaker, how he built that series out, the unique collaboration on that book, his love of working with artists, creator-owned comics, the possessiveness of fans, taking over Transformers, how he's approaching it, 2025 in comics, the evolution of comics, and more.

Writer Si Spurrier joins the show to talk about his views on comics and his work on comics like The Flash and the upcoming The Voice Said Kill and A Mischief of Magpies. Spurrier discusses his departure from The Flash, how sales impact how creators are viewed, trying to be different, the power of support, ideas, how he's doing these days, the nature of single-issue comics, his European lens, the origins of The Voice Said Kill, its atmosphere, Vanesa Del Rey, the power of repeat collaborations, portal fantasies, his creative process with Matías Bergara, what an ideal mix looks like for him, and more.